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According to some users the Warp Stabiliser equivalent in Resolve 14 isn’t quite as good as Adobe’s but again we’re talking beta software at the time of writing. The really basic stuff like cropping, resizing, zooming, positioning and the trusty razor are all easily accessible in the workspace. The Effects are different but again compete with the functionality of Premiere’s effects one on one. That’s before you consider Resolve 14’s RAW video and Cinema DNG support, something FCPX and Premiere lack altogether!Ĭutting the timeline is a familiar affair in Resolve 14 and apes the familiarity of Premiere, with the same basic tools. We’ve also built Fairlight audio into Resolve with an audio post production suite, included new multi user collaboration tools, added over 20 FX filters for everything from dust to dead pixels, and more. Extensive CPU and GPU optimizations and a new high performance playback engine will mean DaVinci Resolve 14 is now up to 10 times faster than before, making it possible to edit 4K images on a laptop. In addition to CUDA and OpenGL support, Resolve 14’s renderer also uses the Metal API on MacOS offering the lowest overhead with direct access to hardware acceleration on both the CPU and GPU.ĭaVinci Resolve 14 is a revolutionary release. So far I’ve been impressed with the 4K editing performance of Resolve 14 with my 1D X Mark II and GH5 files, and this is only the beta version.
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The systems went on to become a staple of 1980’s music, used by artists such as Peter Gabriel, Genesis and Kate Bush and the company is now a leading manufacturer of mixing consoles for professional music studios (see below). Thus this part of Resolve, namely audio, has come from near-non-existant to a major feature which trumps Adobe’s laughably basic audio mixing & editing in Premiere. They are an Australian company, who back in the early 80’s pioneered one of the first music workstations with a built in digital audio sampler. It’s just that Resolve 14 actually works properly!Īs for the audio editing side, with the acquisition by Blackmagic of the world famous digital audio company Fairlight. Well Blackmagic seemed to take inspiration directly from Premiere and you’ll have a hard time telling them apart in terms of design. One thing people DO like about Premiere is how straight-forward the user interface is for editing and it is what we are used to. We all know Resolve has the professional colour grading chops but what about the editing and audio side?Īs you can see from the screen shot (above) this is a HUGE improvement on previous versions with just about everything at your disposal with a clean UI. Then there’s the pricing – the subscription model works out incredibly expensive long-term compared to the sub-$300 FCPX and Resolve. For such a mature product-line from a major corporation it is extremely unstable. Performance is backwards compared to both FCPX and Resolve 14. Indeed the one positive change in Premiere CC has been to the Lumetri colour grading tool, the rest of the NLE just hasn’t moved with the times.
I gave up on using FCPX several years ago and Premiere has gone backwards in reliability terms for me.
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The license still sits on a USB dongle, so you need one license per machine.īlackmagic announced at NAB 2017 they are also rolling out a worldwide training & certification program for Resolve 14.Īdobe and Apple have both been disastrous recently so the timing couldn’t have been better.
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Amazingly the standard Resolve 14 remains free to download and the professional Studio version of Resolve 14 has had a major price cut from $1000 to $299. Resolve 14 finally breaks the spell of the Adobe-Apple duopoly on video editing, which has gone on for far too long. The Public Beta can be downloaded now from Blackmagic.
Should you take the time to learn this software, you’ll be rewarded with one bullet proof app for your entire workflow. Comment on the forumīlackmagic describe Resolve 14 as a revolutionary release.
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